Skip to main content

Books, beads and purses

Saturday was the third of four classes about how to make a fabric covered book.  As with the other sessions, it passed in the blink of an eye.  I spent at least an hour assembling my book's cover, which involved using bookbinding glue, that I realised is far superior to regular PVA.  It dries in a fraction of the time, and if I decide to make more books using this method I'll definitely be buying a tub of the stuff.  As always, it's available via Amazon and eBay, so it's not as if you have to seek out a specialist bookbinding supplier to purchase it.  
Once the outer embroidered covers were stuck firmly in place, I added black felt to the inside, choosing that instead of end papers.  I also added a dangly sparkly something at the spine, and a piece of purple & gold braid to finish it off.  There are still a few unadorned pages inside the book, so I've enough to occupy me during next week's final class.  
The book doesn't close fully because of the bulky pages and all their pockets and tags, but that's fine with me.  I may add a closure or fastening of some kind.  Possibly a length of sari-silk-style yarn with beads threaded onto the ends.  
Not having any beads with large enough holes for fabric to be pushed through, I spent a few minutes this morning using a chunky knitting needle and a glass tube that once contained vanilla pods to roll strips of paper around, to make boho style beads.  When the glue's thoroughly dry on these I'll cover them in material & add seed beads or sequins.  Maybe both! 
When I wasn't working on my fabric book, I was indulging in a little slow stitching.  Do you remember these Jan Messent tags from the other day?  I've been making my version, after a fashion.  
The material's a mix of cotton scraps and an upcycled white dress that I dyed with blackberries.  
The pale grey is from a charity shopped table runner, originally from Dunelm.  
I've added clear glass seed beads to the slow stitching on the left, and I really like how the cut-out and factory-embroidered details from the modern dress - it'd never be worn, still had it's original price tag from Peacocks - make this slow stitched piece look old and threadbare.  
While I was in central Leeds on Saturday I browsed the shelves of the lending library and picked out this book, 'Embroidered Purses' by Linda Tudor.  Even if you've no intention of actually sewing a purse, it's still a lovely book to leaf through.  
I particularly like this embroidery.  It resembles 17th century stumpwork, but was probably stitched in the late 1800s and is based on an earlier 17th century piece.  This embroidery was probably larger, but was cut and shaped to fit the metal frame that forms the closure.  Hence the ladybird on the top right losing some legs.  
This Italian purse is embroidered with silk thread and made in sections that're sewn together, a fancy braid covering the joins in the gorgeous satin.  
Made by Maureen King, this walnut shell purse is a modern interpretation of the 17th century novelty purse.  Two walnut shells, covered in padding & velvet, lined with silk, embroidered with couched gold thread and seed pearls.  The 'walnut' inside the shell is an inch across, also embroidered and studded with tiny pearls.  Imagine the hours all this work must've taken.  
Take a look at the purse at the top of this page.  A horse chestnut shell!  Made by Emily Jo Gibbs, it's a mix of silk dupion and duchesse satin.  The horse chestnut shell's 30 spikes are topped with wound copper wire, and there's even a shiny brown conker to fit inside the purse.  
If those pictures have whetted your appetite, the book was first published in 2004 so it may well be in your local library or you can easily pick up a copy secondhand.  The book includes step by step instructions for several types of purses, so it's not purely an inspirational volume but a practical one too.  I hope you seek out 'Embroidered Purses' by Linda Tudor and get as much enjoyment as I have from its contents.  

Okay, I'll finish for today.  I've a quiche to make, otherwise it'll be pasta for dinner yet again and there's only so much of that a gal can eat.  Bye for now.  













 

Comments

Popular posts from this blog

Fabric bowls & electrical cables ...

To add to my seemingly never ending list of works-in-progress, I've started making a fabric bowl.  Or should I call it a fabric basket?  I'm not sure.  Anyway, I've made the odd bowl or two before, like this blue & white one that I keep cotton perle in.   I decided to use upholstery material, which has both advantages & disadvantages.  On the good side, it has a certain stiffness, which helps the bowl stay in shape.  On the irritating side, the kind of material I'm using frays like mad, and I'm forever picking up threads off the carpet.  The bowl's a simple construction, and I've used a circle of cardboard covered with brown felt for the base.   It'll look much better when I've embroidered and stitched into it.  I've made a start on that, and appliqued on a rectangle of plum coloured velvet for extra interest. When not stitching, I've been catching up on my reading.  I finished C J Sansom's 'Dark Fire'.   Real...

Threads of Freedom and charity shop bargains

  It's Saturday afternoon, and I haven't done half the things I'd meant to.  Partly because I spent most of this morning messing about with paints, stencils and the gell plate.  Never mind, everything on today's 'To Do' list will join tomorrow's 'To Do' list ... it's hardly life or death if I don't haul the hoover around the room or pull up weeds in the front garden.   I thought I'd show you what I made on Wednesday.  I'd gone to my monthly StitchArt group, and this time we did something a little different.  There's a project called 'Threads of Freedom' which is working with various community groups across the city.  It's about creating little stitched pieces, some of which will be included in a textile panel to go on display at Leeds art gallery.  There was lots of fabric we could choose from to sew with, and I picked this vintage tray cloth with the roses embroidery.   My own embroidery's not a patch on those flo...

Another fabric bowl & what's starting to look like a craft room ...

  Hello on what's been a beautiful autumn day.  Bright blue clear sky, a chilly start but warming up in the afternoon.  I've been on a long walk around a local nature reserve, not wanting to stay inside when it's so lovely outdoors.   In the last week or so, I've been finishing this fabric bowl, and have started making another.   But mainly I've been having a bit of a change-around in my house.  I've hauled furniture from one room to another, clutter-cleared cupboards and bagged up things for the charity shop, and generally hoovered and cleaned all those dusty corners.   I'd finally made a decision about turning the dumping ground of the front bedroom into a craft room.  It's taking shape, though it really has taken some effort.   Larger pieces of material are stacked on shelves, grouped into colours.  Lower down is my Sissix machine and die cuts, and at the base of the shelving are beads and jewellery making supplies...